|  | Sukiya Living Magazine (JOJG) Buddha 
    Statues Existing literature on Japanese gardening contains 
    an enormous amount of mis-information. Untrustworthy sources can include 
    public garden brochures, newspaper articles, internet sites, and even books 
    written by well-known authors. Below is a letter from a JOJG reader who 
    obviously encountered such mis-information. We shared her letter with a few 
    JN garden professionals. Their comments are posted here.
 Dear JOJG,
 I have been doing some Japanese garden research and have come across the 
    view that all Japanese gardens must have a statue of the Buddha. As a 
    Christian, I would much rather place a statue of the Virgin Mary or a large 
    Celtic Cross in memory of my mother. What is your view on this?     
    - Elizabeth Osborne, Lima, Ohio
 
     Bill Stufflebeem Placing Christian statuary in Japanese gardens is inappropriate and 
    in dubious taste. These items belong in cemeteries or the grounds of 
    religious buildings, not Japanese gardens. Parts of very old and worn 
    Buddhist stupas are very occasionally reused as waterbasins or garden 
    decorations. Such reuse of objects not originally designed as garden 
    ornaments is called mitate. This rarely seen and subtle practice is not a 
    justifiable precedent for using Christian images in Japanese gardens. If one 
    must have these statues, place them in non-Japanese areas of the garden.
 Bill Stufflebeem is a garden designer and aesthetic tree pruner based in 
    Colorado.
 
 
  Bardwell Smith The viewpoints on what constitutes a Japanese garden expressed in 
    previous issues of JOJG (see July/August 1999) reveal genuine diversity but 
    also agreement that gardens at their best provide the viewer with no 
    specific meaning, let alone instruction. Religious and cultural symbols 
    paradoxically distract from a viewer’s ability to find meaning 
    independently.
 The loveliness of a well-executed garden inspires; it does not need to 
    explain. Explanation limits what one derives from cumulative experience. As 
    we know, one need not gild the lily; the lily is self-expressive. By 
    imposing “meaning” upon the garden, one detracts from its deeper 
    significance, which cannot be put in words. One’s own words, or those of 
    another, interrupt the fullness of meaning which arises when we sense the 
    power of intrinsic harmony.
 This is true, whether the symbols be Christian or Buddhist, Japanese or 
    Western. Even if one were to think in Christian terms, the sacredness of 
    creation need not be labelled. It is to be discovered, again and again.
 Prof. Bardwell Smith is Professor Emeritus of Asian Studies at Carleton 
    College.
 
 David Slawson
 I would liken the view that “all Japanese gardens must have a statue 
    of the Buddha” to the conclusions reached by the six blind men touching 
    different parts of an elephant in the Indian fable; except in this case the 
    blind man is not touching the elephant, but rather a small ornament attached 
    to the elephant’s robe. The Japanese garden is, in a few words, a 
    nature-inspired landscape art, and its success does not hinge on including 
    statuary. In fact, such ornament is detrimental unless used with utmost 
    care.
 When it comes to the use of ornaments in Japanese gardens, Samuel Newsom 
    sums it up in his book, Japanese Garden Construction: “People are sometimes 
    carried away by an object because it is old or has a history, regardless of 
    its suitability or artistic value.” He encourages us to include in our 
    gardens “only necessary things, or things which truly contribute to the 
    beauty of the scene.”
 Think of ornaments in a garden as garnishes in gourmet cooking. They add 
    visual flavor, but they’re not the main meal.
 David Slawson is a Japanese garden designer and author.
 
 
  John Powell While Shintoism and later Buddhism may have had an effect on the 
    evolution of the Japanese garden, their existence within the garden is 
    certainly not a pre-requisite. Outside of the gardens on temple grounds 
    devoted to religious pursuits, the presence of Buddha is only an illusory 
    effect used to motivate the senses of the garden viewer in some way. The 
    same can be said of other religious icons. This is not to say that such 
    elements have no place in the garden. Placed properly, these elements may 
    add to the viewer’s experience.
 Ultimately, the joy and amazement of the garden is conveyed through the 
    placement of stones which accentuate their own character, the never-ending 
    course of water, and the expressive nature of plants. If the installation of 
    an element special to the owner is desired, so be it. For gardens not 
    connected with temples or in this case churches, placement of such elements 
    should be subdued to a quiet spot out of main view where their own spiritual 
    meaning may be realized upon discovery by the viewer.
 John Powell is a professional Japanese garden builder from Weatherford, 
    Texas.
 
 
  David DeGroot I’m not sure what resource information was used, but I am very 
    surprised by the conclusion that “all Japanese gardens must have a statue of 
    Buddha.” In my visits to various gardens in Japan, I don’t recall ever 
    seeing a Buddha statue outside of temple grounds or cemeteries.
 In maintaining bonsai from different countries, I frequently hear 
    conflicting observations, opinions, and advice from very respected artists. 
    It would drive me to confusion if I did not have the ability to analyze 
    which parts of their opinions were rooted in universal concepts, cultural 
    traditions, the fashion of the times, or their personal taste. Anyone’s 
    aesthetic sense derives from all four sources.
 In this case, my first suggestion would be to simply forgo the use of 
    statuary altogether. If the writer is determined to include a Christian 
    statue, I would suggest a small, well-weathered image placed discretely in a 
    quiet corner. The idea of a large Celtic cross seems so far removed from the 
    Japanese garden aesthetic that I cannot recommend it.
 David De Groot is the curator of the Weyerhaeuser Bonsai Collection.
 
 Tamao Goda
 First of all, gardening is not a religion. This is true whether it’s 
    done in Japan or anywhere else. The way you sweep a path or prune a tree has 
    nothing to do with religious faith.
 Second, why do so many Westerners think it’s appropriate to place Buddha 
    statues in gardens? We Japanese people almost never do such things. Please 
    visit Japan and see for yourself. Look over the wall into private homes and 
    gardens. You will rarely, if ever, see a Buddha statue anywhere. In Japan, 
    such statues rest mostly in temples or museums, hidden in the depths of dark 
    buildings. Others are in cemeteries or by the roadside where someone was 
    killed in a car accident.
 The fundamental goal of Japanese gardening is not about ornamentation. It is 
    to recreate the beauty of nature in that small, intimate space beside our 
    home. This process has nothing to do with religion, does it? Nature doesn’t 
    build statues.
 It’s your decision, but I recommend you try to forget about religious 
    statues and just have fun in your garden. Good luck!
 Tamao Goda is JOJG’s art director and chief Japanese garden researcher.
 ConclusionThe paramount goal of a Japanese garden is to bring the beauty of 
    nature into the lives of ordinary human beings. This goal has nothing to do 
    with religion, and it is a mystery why Westerners continue to exaggerate the 
    role of religion in Japanese gardening. There is no need to have any statues 
    at all in a Japanese garden, and even functional ornaments like lanterns and 
    basins should be used in moderation.
 But it is your garden, and it is important that you feel comfortable with 
    it. If you wish to include a statue of the Virgin Mary or a Celtic Cross, 
    you should do so. At that point you might want to start calling your garden 
    a “unique” Japanese garden rather than a traditional one. The traditional 
    aesthetic, of course, honors understatement and simplicity, and any 
    ornamentation should be as modest as possible.
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